Motion graphics in all its many forms produces a simile that is cast in escapism from individual reality. The current times see this projected in the commercial entertainment genre, as a means of cultural instruction and surveillance.of society. If one takes the mechanism of capturing regular unvarnished existential episodes of momentary reality in it raw unvarnished form and strings it together as a larger statement it expresses a coherent appreciation of person that serves as it focal point. The question is then asked if the audience is privy to some sense of naked truth about its author? The episode viewed is not unsullied reality. but neither can it be understood to be trusted as absolute verifiable surveillance verified truth. The decisions behind the assemblage of these random scenes becomes the author’s message to the viewer that speaks to the mundane details but also to the thoughts motivating their capture. In this sense of perspective, this is an exercise in pure cinema.
Exist Ants – Thoughts About Both Video and Life.